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Galleporto Bavicarius Directory 01
Page 08
On either of side the main room there are two annexes opening out from it; these are reserved chiefly for the younger children, some of whom, I think, are little boys. In the left-hand annex, behind the ladies who are making a mitre, there is a child who has got a cake, and another has some fruit--possibly given them by the Virgin-and a third child is begging for some of it. The light failed so completely here that I was not able to photograph any of these figures. It was a dull September afternoon, and the clouds had settled thick round the chapel, which is never very light, and is nearly 4000 feet above the sea. I waited till such twilight as made it hopeless that more detail could be got--and a queer ghostly place enough it was to wait in--but after giving the plate an exposure of fifty minutes, I saw I could get no more, and desisted.
The Great Latin War_, B.C. 340.--The legion in B.C. 340 had almost entirely discarded the tactics of the phalanx. It was now drawn up in three, or perhaps we ought to say, in five lines. The soldiers of the first line, called Hastati, consisted of youths in the first bloom of manhood, distributed into 15 companies or maniples (_manipuli_), a moderate space being left between each. The maniple contained 60 privates, 2 centurions (_centuriones_), and a standard-bearer (_vexillarius_). The second line, the Principes, was composed of men in the full vigor of life, divided in like manner into 15 maniples, all heavily armed. The two lines of the Hastati and Principes taken together amounted to 30 maniples, and formed the Antepilani. The third line, the Triarii, composed of tried veterans, was also in 15 divisions, but each of these was triple, containing 3 maniples. In these triple maniples the veterans, or Triarii proper, formed the front ranks; immediately behind them stood the Rorarii, inferior in age and prowess, while the Accensi, or supernumeraries, less trustworthy than either, were posted in the extreme rear.
BAKHUYZEN, JUFFROUW GERARDINA JACOBA VAN DE SANDE. Silver medal at The Hague, 1857; honorary medal at Amsterdam, 1861; another at The Hague, 1863; and a medal of distinction at Amsterdam Colonial Exhibition, 1885. Daughter of the well-known animal painter. From childhood she painted flowers, and for a time this made no especial impression on her family or friends, as it was not an uncommon occupation for girls. At length her father saw that this daughter, Gerardina--for he had numerous daughters, and they all desired to be artists--had talent, and when, in 1850, the Minerva Academy at Groningen gave out "Roses and Dahlias" as a subject, and offered a prize of a little more than ten dollars for the best example, he encouraged Gerardina to enter the contest. She received the contemptible reward, and found, to her astonishment, that the Minerva Academy considered the picture as belonging to them.
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