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Galleporto Bavicarius Directory 09
Page 02
Memling (1425?-1495?), one of the greatest of the school, is another man about whose life little is known. He was probably associated with Van der Weyden in some way. His art is founded on the Van Eyck school, and is remarkable for sincerity, purity, and frankness of attitude. As a religious painter, he was perhaps beyond all his contemporaries in tenderness and pathos. In portraiture he was exceedingly strong in characterization, and in his figures very graceful. His flesh painting was excellent, but in textures or landscape work he was not remarkable. His best followers were Van der Meire (1427?-1474?) and Gheeraert David (1450?-1523). The latter was famous for the fine, broad landscapes in the backgrounds of his pictures, said, however, by critics to have been painted by Joachim Patinir. He was realistically horrible in many subjects, and though a close recorder of detail he was much broader than any of his predecessors.
The most useful thing that a civilian can do in these busy days is to speak as little as possible, and if he feels moved to write, to confine his efforts to his check book. [Laughter.] But this is an exception to that very sound rule. We do not know the present strength of the new armies. Even if we did it would not be necessary to make it public. But we may assume that there are several battalions in Great Britain which were not in existence at the end of last July, and some of them are in London. Nor is it any part of our national policy to explain how far these battalions are prepared for the work which is ahead of them. They were born quite rightly in silence. But that is no reason why they should continue to walk in silence for the rest of their lives. [Cheers.] Unfortunately up to the present most of them have been obliged to walk in silence or to no better accompaniment than whistles and concertinas and other meritorious but inadequate instruments of music with which they have provided themselves. In the beginning this did not matter so much. More urgent needs had to be met; but now that the new armies are what they are, we who cannot assist them by joining their ranks owe it to them to provide them with more worthy music for their help, their gratification, and their honor. [Cheers.]
Just beyond, upriver, lie ruins of the Ludwell House and the Third and Fourth Statehouses. In 1900-01, Col. Samuel H. Yonge, a U.S. Army Engineer and a keen student of Jamestown history, uncovered and capped these foundations after building the original seawall. A strange discovery was made here in 1955 while the foundations were being examined by archeologists for measured drawings. Tests showed that no less than 70 human burials lay beneath the statehouse walls, and an estimated 200 more remain undisturbed beneath the remaining structures or have been lost in the James River. Here may be the earliest cemetery yet revealed at Jamestown--one so old that it was forgotten by the 1660's when the Third Statehouse was erected. It is, indeed, quite possible that these burials, some hastily interred without coffins, could date from the "starving time" of 1609-10, when the settlers strove to dispose of their dead without disclosing their desperate condition to the Indians.
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