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Galleporto Bavicarius Directory 11
Page 03
Nearly three hundred species of _Coleoptera_, or beetles, occupy similar positions. Almost any rotten log or stump when broken open discloses a half dozen or more "horn" or "bess beetles," _Passalus cornutus_ L., great, shining, clumsy, black fellows with a curved horn on the head. They are often utilized as horses by country children, the horn furnishing an inviting projection to which may be fastened, by a thread or cord, chips and pieces of bark to be dragged about by the strong and never lagging beast of burden. When tired of "playing horse" they can make of the insect an instrument of music; for, when held by the body, it emits a creaking, hissing noise, produced by rubbing the abdomen up and down against the inside of the hard, horny wing covers. This beetle passes its entire life in cavities in the rotten wood on which it feeds, and when it wishes a larger or more commodious home it has only to eat the more.
Another circumstance will illustrate the manners of the times. L. Flamininus, the brother of the conqueror of Philip, and Consul in B.C. 192, took with him into Cisalpine Gaul a beautiful Carthaginian boy, to whom he was attached. The youth complained of leaving Rome just before the exhibition of the games of the gladiators. Shortly after reaching the province, when Flamininus was feasting with his favorite, a Boian chief came into the Consul's tent to implore his protection. Flamininus seized this opportunity to please the boy, and, telling him that he should be rewarded for not seeing the gladiators, he ordered an attendant to stab the Gaul, that his favorite might enjoy the dying agonies of the man.
ASSCHE, AMELIE VAN. Portrait painter and court painter to Queen Louise Marie of Belgium. She was born in 1804, and was the daughter of Henri Jean van Assche. Her first teachers were Mlle. F. Lagarenine and D' Antissier; she later went to Paris, where she spent some time as a pupil of Millet. She made her debut at Ghent in 1820, and in Brussels in 1821, with water-colors and pastels, and some of her miniatures figured in the various exhibitions at Brussels between 1830 and 1848, and in Ghent between 1835 and 1838. Her portraits, which are thought to be very good likenesses, are also admirable in color, drawing, and modelling; and her portrait of Leopold I., which she painted in 1839, won for her the appointment at court.
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