|
|
Galleporto Bavicarius Directory 12 Page 01
His landscapes, again, were a synthesis of all landscapes, a grouping of the great truths of light, air, shadow, space. Whatever he turned his hand to was treated with that breadth of view that overlooked the little and grasped the great. He painted many subjects. His earliest work dates from 1627, and is a little hard and sharp in detail and cold in coloring. After 1654 he grew broader in handling and warmer in tone, running to golden browns, and, toward the end of his career, to rather hot tones. His life was embittered by many misfortunes, but these never seem to have affected his art except to deepen it. He painted on to the last, convinced that his own view was the true one, and producing works that rank second to none in the history of painting.
The second part of the king's communication, and by far the most important part, was what was called his Declaration, a document in which he announced formally what his intentions were in case he were restored to the throne. One of these assurances was, that he was ready to forgive and forget the past, so far as he might himself be supposed to have cause of complaint against any of his subjects for the part they had taken in the late transactions. He professed his readiness to grant a free pardon to all, excepting those who should be expressly excluded from such pardon by the Parliament itself. The Declaration also set forth that, inasmuch as there was prevailing throughout the country a great diversity of religious opinion, the king, if restored to his throne, whatever his own religious views or those of his government might be, would agree that his subjects should be allowed full liberty of conscience in all respects, and that nobody should be molested in any way on account of his religious faith or usages of worship.
The last trial of all was yet to be added, when we had come to within 300 m. of the river. The _seringueiro_, from whose hut we had started on our way out, had evidently since our departure set the forest on fire in order to make a _roca_ so as to cultivate the land. Hundreds of carbonized trees had fallen down in all directions; others had been cut down. So that for those last two or three hundred metres we had to get over or under those burned trees and struggle through their blackened boughs, the stumps of which drove holes into and scratched big patches of skin from my legs, arms and face. Where the skin was not taken off altogether it was smeared all over with the black from the burnt trees. We did not look unlike nigger minstrels, with the exception that we were also bleeding all over.
|