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Galleporto Bavicarius Directory 18
Page 01
Now, how has a society of individuals--the community within the frontiers of a nation--met this difficulty which now confronts the society of nations, the difficulty that is of the danger of the power of an individual or a group? They have met it by determining that no individual or group shall exercise physical power or predominance over others; that the community alone shall be predominant. How has that predominance been secured? By determining that any one member attacked shall be opposed by the whole weight of the community, (exercised, say, through the policeman.) If A flies at B's throat in the street with the evident intention of throttling him to death, the community, if it is efficient, immediately comes to the support of B.
Against the right-hand wall are two lady-helps, each warming a towel at a glowing fire, to be ready against the baby should come out of its bath; while in the right-hand foreground we have the levatrice, who having discharged her task, and being now so disposed, has removed the bottle from the chimney-piece, and put it near some bread, fruit and a chicken, over which she is about to discuss the confinement with two other gossips. The levatrice is a very characteristic figure, but the best in the chapel is the one of the head nurse, near the middle of the composition; she has now the infant in full charge, and is showing it to St. Joachim, with an expression as though she were telling him that her husband was a merry man. I am afraid Shakespeare was dead before the sculptor was born, otherwise I should have felt certain that he had drawn Juliet's nurse from this figure. As for the little Virgin herself, I believe her to be a fine boy of about ten months old. Viewing the work as a whole, if I only felt more sure what artistic merit really is, I should say that, though the chapel cannot be rated very highly from some standpoints, there are others from which it may be praised warmly enough. It is innocent of anatomy-worship, free from affectation or swagger, and not devoid of a good deal of homely naivete. It can no more be compared with Tabachetti or Donatello than Hogarth can with Rembrandt or Giovanni Bellini; but as it does not transcend the limitations of its age, so neither is it wanting in whatever merits that age possessed; and there is no age without merits of some kind. There is no inscription saying who made the figures, but tradition gives them to Pietro Aureggio Termine, of Biella, commonly called Aureggio. This is confirmed by their strong resemblance to those in the Dimora Chapel, in which there is an inscription that names Aureggio as the sculptor.
Of course the Chapmans were entirely satisfied. Indeed Mr. Gusher so turned his guns on Mr. Romer as to make his position extremely uncomfortable. Both were guests at the old City Hotel, where Gusher was a great favorite with all the young ladies, and to whom he related his difficulty with Romer. In short, he so enlisted their sympathies in his behalf that they were ready to join him in ejecting Romer from the house as a slanderer. One said what a mean thing he must be to slander the handsome young foreigner in that way. A second tossed and turned her head aside when she met him, and pouted her pretty lips to let him know what she meant. A third refused to return his bow, while a fourth gave him the cut direct. There was no standing up against such a storm of female indignation as he now found blowing about his ears. He saw, also, that to have attempted to sustain his charges with proof would only be sheer folly. In short, there was nothing for the plain young outspoken American to do but surrender the field to the handsome young foreigner and his female admirers, seek respectful treatment beyond the sound of their voices--and wait.
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