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Galleporto Bavicarius Directory 19

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Galleporto Bavicarius Directory 19

No one who has followed the diplomatic history of the negotiations that led to this war can doubt that if there had been no secret treaties, but instead open proclamations of intentions and an open discussion of international ambitions, the world might have been saved this catastrophe. It is no condemnation of any person or country to say this. The reserves and hesitations and misconceptions that led Germany to suppose that England would wait patiently while France and Belgium were destroyed before she herself received attention were unavoidable under the existing diplomatic conditions. What reasonable people have to do now is not to recriminate over the details in the working of a system that we can now all of us perceive to be hopelessly bad, but to do our utmost in this season of opportunity to destroy the obscurities in which fresh mischief may fester for our children.

The third and last main stage of the palaeolithic epoch developed by degrees into a golden age of art. But I cannot dwell on all its glories. I must pass by the beautiful work in flint; such as the thin blades of laurel-leaf pattern, fairly common in France but rare in England, belonging to the stage or type of culture known as the Solutrian (from Solutre in the department of Saone-et-Loire). I must also pass by the exquisite French examples of the carvings or engravings of bone and ivory; a single engraving of a horse's head, from the cave at Creswell Crags in Derbyshire, being all that England has to offer in this line. Any good museum can show you specimens or models of these delightful objects; whereas the things about which I am going to speak must remain hidden away for ever where their makers left them--I mean the paintings and engravings on the walls of the French and Spanish caves.


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